Herbie Hancock
Future Shock
Vinyl LP - Columbia FC 33814
First Pressing (1983) with "Rockit"
Condition: Very Good Vinyl and Very Good + Cover. Vinyl was play-tested on both sides and plays very well throughout with good fidelity and occasional light background noise, but no skips. Cover is solid with good image, no splits or writing.
Future Shock is the thirty-fifth album by Herbie Hancock. It was his first release from his electro-funk era and an early example of instrumental hip hop. Participating musicians include bass guitarist Bill Laswell (who co-produced), guitarist Pete Cosey and drummer Sly Dunbar.
Richard S. Ginell of AllMusic wrote how "Herbie Hancock completely overhauled his sound and conquered MTV with his most radical step forward since the sextet days. He brought in Bill Laswell of Material as producer, along with Grand Mixer D.ST on turntables?and the immediate result was "Rockit," which makes quite a post-industrial metallic racket. Frankly, the whole record is an enigma; for all of its dehumanized, mechanized textures and rigid rhythms, it has a vitality and sense of humor that make it difficult to turn off. Moreover, Herbie can't help but inject a subversive funk element when he comps along to the techno beat?and yes, some real, honest-to-goodness jazz licks on a grand piano show up in the middle of "Auto Drive."
Track listing
A1 Rockit
A2 Future Shock
A3 TFS
B1 Earth Beat
B2 Autodrive
B3 Rough
Musicians
Herbie Hancock ? piano, synthesizer, Fairlight CMI, keyboards
Bill Laswell ? electric bass
D.ST. ? turntables, "FX"
Pete Cosey ? electric guitar
Michael Beinhorn ? keyboards
Daniel Ponce ? percussion
Sly Dunbar ? drums, percussion
Dwight Jackson Jr. ? lead vocals on "Future Shock"
Lamar Wright ? lead vocals on "Rough"
Bernard Fowler, D.S.T., Roger Trilling, Nicky Skopelitis ? backing vocals
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I use the Goldmine Grading System, and play-test all records. I note any differences between vinyl and cover, and make note of any inserts, special sleeves, or potential defects.
MINT (M) - Absolutely perfect in every way. Most often this is a still sealed record, records that have been opened are rarely if ever marked as Mint.
NEAR MINT (NM) - A good description is that it looks like it just came from a retail store and it was opened for the first time. In other words, it?s nearly perfect, with no visible defects.
VERY GOOD PLUS (VG+) - Except for a couple minor things, this could be Near Mint. Most collectors will be happy with a VG+ record, especially if on the high end (VG++). VG+ records may show slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Covers should have only minor wear.
VERY GOOD (VG) - VG records are among the biggest bargains, and for many, will be worth the money. They can lack the original gloss, may have surface noise, and some scratches may be audible, especially in soft passages. But the noise will not overpower the music. VG covers will have signs of handling, and may have minor splits.
GOOD PLUS (G+) - Good+ does not mean bad! The record still plays through without skipping, but it has significant surface noise and groove wear. Cover may have significant ring wear, noticeable writing, or obvious damage.
GOOD (G) - Record may have some skipping, but is otherwise listenable. I generally avoid selling Good (G) rated records unless they are highly collectible or desirable, in order to enjoy until something better comes along. Cover has major wear or seam splits that need repair, or heavy writing like radio station call letters to prevent theft.
Feel free to contact me with any specific questions.