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Funny Face Poster Italian 24x36 in Audrey Hepburn Cenerentola a Parigi 61x90 cm

$27.66 CAD
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There is only 1 left in stock.

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Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
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Nuvei accepted

Shipping options

Seller handling time is 2 business days Details
No shipping price specified to CA
Ships from United States Us

Return policy

Refunds available: See booth/item description for details Details

Purchase protection

Catalog info

Payment options

PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

Item traits

Category:

1950-59

Quantity Available:

Only one in stock, order soon

Condition:

New

Country/Region of Manufacture:

Italy

Size:

24x36 inches

UPC:

883929310951

MPN:

883929310951

Listing details

Seller policies:

View seller policies

Posted for sale:

More than a week ago

Item number:

144529901

Item description

This Italian poster for the movie Funny Face measures 24 x 26 inchs or 61 x 90 cm. Cenerentola a Parigi translates from the Italian as "Cinderella in Paris" -- the Italian title for the film "Funny Face" Funny Face is an American musical film released in 1957 in VistaVision Technicolor, with assorted songs by George and Ira Gershwin. The film was written by Leonard Gershe and directed by Stanley Donen. It stars Audrey Hepburn, Fred Astaire, and Kay Thompson. Photographer Richard Avedon designed the opening title sequence and consulted on the film; Astaire played Dick Avery, a still photographer, who is based in part on Avedon. Only four of the songs are from the 1927 Broadway musical production of the same name, and the plot is very different. Unlike her later film My Fair Lady, Hepburn sings the songs herself in this, her first musical. She performs one solo, "How Long Has This Been Going On?"; a duet with Astaire, "'S Wonderful"; a duet with Kay Thompson called "On How to Be Lovely"; and takes part in an ensemble performance of "Bonjour, Paris!". Her previous dance training is also called into play, not only in the two dance numbers she performs with Astaire but also for a Bohemian-style solo dance in a nightclub, which has since often been replayed in retrospectives of her career.