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Louis ICART Etching Hand Signed and numbered Miss Liberty 1917

$3,191.21 CAD
$3,457.65 CAD More info
Ships from Belgium Be

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There is only 1 left in stock.

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Estimated to arrive by Fri, Jun 13th. Details
$89.89 CAD via International Shipping (2 to 3 weeks) to Canada
Ships from Belgium Be

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OBO - Seller accepts offers on this item. Details

Return policy

Partial refund available within 30 days

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Nuvei accepted

Shipping options

Estimated to arrive by Fri, Jun 13th. Details
$89.89 CAD via International Shipping (2 to 3 weeks) to Canada
Ships from Belgium Be

Offer policy

OBO - Seller accepts offers on this item. Details

Return policy

Partial refund available within 30 days

Purchase protection

Payment options

PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

Item traits

Category:

Art Prints

Quantity Available:

Only one in stock, order soon

Condition:

Unspecified by seller, may be new.

Edition Type:

Limited Edition

Subject:

History

Date of Creation:

1900-1949

Style:

Art Deco

Original/Reproduction:

Original Print

Listed By:

Dealer or Reseller

Print Type:

Etching

Artist:

Louis Wain

Medium:

Etching

Signed?:

Signed

Original/Licensed Reprint:

Limited Edition Print

Type:

Print

Listing details

Seller policies:

View seller policies

Shipping discount:

No combined shipping offered

Posted for sale:

More than a week ago

Item number:

1687773222

Item description

ICART Louis Miss Liberty Year Created : 1917 Media : Graphics Technique : (Engraving) Etching Edition : Numbered 109/150 Support : Rives paper Signature : Hand Signed in Pencil Total size : 28.74 x 21.06 inch (73 x 53.5 cm) Image size : 19.29 x 12.6 inch (49 x 32 cm) Packing Weight : 1kg Item # : LIcar085 Condition : - Excellent and never been framed Description : Original etching, hand signed with pencil. - This is numbered 109 from a limited edition of 150. Edition Size: - 150 exemplars numbered 1/150 to 150/150 on Rives BFK [AD.V.-ALCKE] paper. REFERENCE: This artwork is referenced in The catalogue raisonne "Louis Icart - The complete etching"; by William R. Holland, 4th edition Page 43 illustration 85. FR: Eau-forte originale, signee au crayon. - Porte le numero 109 d'une edition limitee a 150. Justification du tirage: - 150 exemplaires numerotes 1/150 a 150/150 sur papier Rives BFK [AD.V.-ALCKE]. REFERENCE: Cette oeuvre est referencee dans le catalogue raisonne "Louis Icart - The complete etching"; par William R. Holland, 4eme edition Page 43 illustration 85. ADDITIONAL INFORMATION: 1917-1918 War Periods During World War 1, Louis Icart served France in the Infantry and later as a pilot in the Air Corps. He had a firsthand opportunity to appraise the sad mix of courage, patriotism, and horror associated with such a cataclysm. As an artist, he was compelled to represent what he saw through his work. Unfortunately, his responsibilities as a soldier limited the total number of etchings he could produce during these war years. Icart began to experiment by printing the same plate on different types of paper. We find works printed on both the thin, waxy Japon paper, as well as the heavier Arches and Van Gelder papers. Pencil notations of edition size are usually found in the lower left-hand margin. Pieces were usually printed with an edition of 25 works on Japon paper, while 75 to 150 sheets of a heavier paper were run from the plate as well. Including all the types of paper used, the total edition size would equal 100 to 175 works. War etchings never bear any impressed seals or printed logos from either a printer or Icart himself. Similarly, they have no copyright notations to aid us in giving them exact dates. All pieces do bear the artist's pencil signature in the lower right-hand margin. Again, it is the "early signature"; more open and free-flowing than that we commonly associate with later works. Some of Icart's war etchings strike collectors as a bit traditional or predictable. However, it is most likely the somber mood of war reflected in these works that encourages such a viewpoint. For these pieces must be taken in the context of the patriotic emotions they strove to evoke. They were highly symbolic; meant to represent the combined will of the people to staunchly preserve their liberty. Therefore, we might expect these etchings to depict determined, unyielding soldiers, or classically-dressed women bearing the standards of Allied nations. Icart purposely composed them to be solid and statuesque in both feeling and appearance. Icart's technical ability in engraving the war pieces is superb. Their beauty far outweighs the importance of the severity of their mood. His models are excellently drawn and posed. They begin to take on weight and substance. Icart begins to develop more realistic settings that clearly reassure the observer that the events depicted are occurring in real time and space. And in several works, the artist employs technical devices that imply movement and inherent energy to people and objects. Things are bursting, tumbling, flying and surging forth. By far, the most popular etchings produced during the War are those that first offer a glimpse into Icart's fruitful imagination. Take for example the spectacle of the personification of Liberty as a woman exploding forth from the muzzle of a cannon. And even more satisfying, the hovering flight of a lady whose robe becomes wings amidst a raging dogfight of biplanes. Icart has realized his ability to excite the audience through powerful visual imagery. Perhaps more than in any other phase of his career, in the War Period Louis Icart allows his personal feelings to show through his etchings. His presentation clearly warns us of the stark savagery and futility of war. This point is even more profound when we realize just how thoroughly World War 1 was able to distract the attention of a man normally focused on pleasure and beauty. And yet, once it was over, Icart shared the desire of the world to look ahead and enjoy the freedoms that were won. The challenge to live daringly and joyously was at hand. From The book "Louis Icart - The complete etching"; by William R. Holland, 4th edition Page 35. Art-cadre is an Art Gallery with both modern and contemporary fine art works. We have a large collection of catalogues with original artworks - lithographs, silkscreens, etchings, engravings - Watercolours - Drawings - Sculptures - Art Books - Vintage posters and other objects of art. You will find a large selection of fascinating and well know artists with international reputations. Guarantee Shipping Work guaranteed to be as described. We issue upon request Certificate of Authenticity with all original artworks. Certificates do not apply to posters and books. We ship out all packages as soon as payment arrives, the very same day. COMBINE TWO OR MORE OF OUR ITEMS FOR ONE SHIPPING CHARGE. All items ship from Brussels - Belgium If you prefer you can come to pick up your purchases at our Gallery. Art-cadre est une Galerie d'Art Moderne et Contemporain specialisee en oeuvres et ouvrages sur papiers. Nous proposons une large collection d' Estampes : gravures, eaux-fortes, lithographies, serigraphies - Dessins - Peintures (aquarelles) - Sculptures - affiches - livres d'art , catalogues d'expositions - a tirage limite. Vous y trouverez une selection des plus belles oeuvres des grandes figures artistiques de renommee internationale. Garantie Livraison Garantie contre tout descriptif inexacte figurant sur la fiche du produit. Nous delivrons sur demande un certificat d'authenticite avec tous les ?uvres originales. Les certificats ne s'appliquent pas aux affiches et aux livres. Nous envoyons les colis des que le paiement est recu, le meme jour. GROUPER DEUX OU PLUS DE NOS ARTICLES POUR UN ENVOIE UNIQUE. Tous les articles sont envoyes de Bruxelles - Belgique. Si vous preferez vous pouvez venir retirer vos achats dans notre Galerie.