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MEL ZIEGLER & KATE ERICSON "Overgrown Landscape" Painting on Metal Plate 1985

$671.29 CAD
$678.07 CAD More info
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Shipping options

Seller handling time is 1 business day Details
No shipping price specified to CA
Ships from United States Us

Return policy

Partial refund available within 30 days Details

Purchase protection

Payment options

PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

Item traits

Category:

Paintings

Quantity Available:

Only one in stock, order soon

Condition:

Unspecified by seller, may be new.

Subject:

Landscape

Region of Origin:

US

Listed By:

Dealer or Reseller

Size:

Small (up to 12in.)

Artist:

Mel Ziegler

Type:

Painting

Year of Production:

1985

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Shipping weights of all items added together for savings.

Posted for sale:

More than a week ago

Item number:

1744769112

Item description

MEL ZIEGLER KATE ERICSON "Overgrown Landscape" Painting on Metal Plate 1985 This piece by MEL ZIGLYER KATE ERICSON titled "Overgrown Landscaope" is signed by the artist on the back and dated to 1985. It is a depiction of an abstract black and white pastoral scene. The plate measures 6'' x 4''. About the artists: Kate Ericson and Mel Ziegler were influential collaborators in social interventionist art, beginning officially as a team in 1985 and continuing until Ericson died of brain cancer in 1995.[14] In 1988 their work was exhibited at both the Museum of Modern Art in New York,[15] and the Hirshorn in Washington D.C.,[16] and was the subject of a major retrospective accompanied by a significant publication, "America Starts Here"[17] at the MIT List Center for the Visual Arts in 2006. The exhibition was organized by curators Bill Arning, then at MIT List Visual Arts Center, and Ian Berry, the Tang Teaching Museum and Art Gallery at Skidmore College, and toured to Austin Museum of Art, Texas, H R Block Artspace at the Kansas City Art Institute, and Contemporary Art Center, Cincinnati. Together, Ericson and Ziegler made site-specific installations and objects concerned with mapping trajectories, questioning history, and highlighting the specificity of places and communities.[8] As a collaborative duo, Ericson / Ziegler's work was integral to the emergence of integrated practice and community engagement as vital forms of contemporary art. In the Wall Street Journal review of their 2014 exhibition at Perrotin Gallery in New York, Carol Kino writes: ?Kate Ericson and Mel Ziegler were ardent pioneers of the art now known as "social practice."?[18] Listing and template services provided by inkFrog