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RARE The COMPLETE PHOTOGRAPHER Issue 17 Volume 3 1942

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Estimated to arrive by Wed, Jun 4th. Details
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Estimated to arrive by Wed, Jun 4th. Details
Calculated by USPS in Canada.
Ships from United States Us

Offer policy

OBO - Seller accepts offers on this item. Details

Return policy

Refunds available: See booth/item description for details

Purchase protection

Payment options

PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

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Only one in stock, order soon

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Item number:

1193605671

Item description

SEE BELOW for MORE MAGAZINES' Exclusive, detailed, guaranteed content description!* Careful packaging, Fast shipping, and EVERYTHING is 100% GUARANTEED. TITLE: THE COMPLETE PHOTOGRAPHER Marvelous and RARE vintage Photography magazine -- Exclusive MORE MAGAZINES detailed content description, below! * ISSUE DATE: Issue 17 Volume 3 1942 CONDITION: Size approx 7" X 9". COMPLETE and in clean, VERY GOOD condition. (See photo) IN THIS ISSUE: [Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 COVER PHOTOGRAPH by Percy T. Jones. THE VIEW FINDER by Willard D. Morgan. CONTRAST: Part II (Continued from Issue 16): Herman Newhouse: Director, Sensitometry Division Research, Agfa Ansco Co. Negative--Gamma--Fog--Emulsion Characteristics--Developing Solutions--Color Sensi- tivity--Filters--Optical Characteristics--Contrast Grad es--Development--Optical Systems. CONTROL IN PHOTOGRAPHY: William Mortensen: Director, Mortensen School of Photography; Author of Print Finishing and others Purists vs. Pictorialists--Characteristics of a Photograph--Limits of the Photograph--Limits of the Two Ideologies. CONVERSION TABLES: Frequently Used Weights, Measures, and Temperature Tables. COPYING: Walter E. Burton: Free Lance Photographer and Writer Equipment for Copying--Focusing and Aligning Camera--Enlarger for Copying--Some Copying Calculations--Best Focal Length--Critical Aperture--Lighting--Negative Mate-rials--Exposures--Filters--Copying with a Camera--Ne gos'ive Materials Table--Copying Method Table. COPYRIGHT: Stanley A. Katcher, J.D., A.RP.S.: Poses, Katcher and Driesen, Counsellors-at-Law Requisite for Copyright--Who May Copyright--How to Copyright--Copyright Symbol--Assignment of Copyright--Infringement--Life of Copyright. COST IN PROFESSIONAL PHOTOGRAPHY: Wallace E. Dobbs: Former Studio Owner and Manager; Instructor of Professional Photography, Rochester Mechanics Institute Materials-- Labor--Of her Items--Accurate Accounting Method-- General Expense-- Cost Records--Cost Percentages--Estimating Prices--Importance of Management. PHOTOGRAVURE SECTION: Including composition analysis by Konrad Cramer. CRIMINOLOGY AND POLICE PHOTOGRAPHY: Part I (Continued in Issue 18): Carl E. Shineman: Eastman Kodak Company Identification Photography--Fingerprint Photography--Photographic Equipment--Crimes of Violence--Forensic Ballistics Photography--Automobile Accidents--Burglary Cases--Arson--Forgery, Handwriting Analysis, Etc. ______ Use 'Control F' to search this page. * NOTE: OUR content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date. This description copyright MOREMAGAZINES. 18 19 20 21 22 23 24 25 26 27 28 29 30 31