Review (James) Mercer is a great songwriter, crafting classic pop-rock melodies that leap across octaves and twist in unexpected directions. - (Jody Rosen) -- Entertainment Weekly ...a quietly ambitious effort that nudges the Shins' trademark indie pop into unexpected new directions. - (JC) -- Billboard ..a bit more warm-blooded than the first two, full of characters trying to decide between trying anew or giving up. - (Kelefa Sanneh) -- The New York Times Product Description Recorded over time in James Mercer's basement studio, Phil Ek's Seattle digs, and in Oregon City with veteran engineer Joe Chiccarelli (Beck, U2) - Wincing the Night Away is a Whole new animal. It's is the sound of a band growing up and out. Mercer's infectious, indelible melodic style is still at the core, and unfaltering. But anything can happen around it - and in this case, it does. Channeling a Morrissey vibe, 'Sea Legs' pairs a hip-hop (yes, hip-hop) beat with lush melodic lines and searing guitars. Elsewhere the band toys with tweaked-out piano steeped in psychedelic strings ('Red Rabbit'); fractured synth samples ('Silt Needles')' gauzy, arpeggiated keyboards cloaking thunderous anthems (Sleeping Lessons')' and, taking cues from early Jesus and Mary Chain albums - Seeping, fuzztoned epics ('Phantom Limb'). Finally, 'Turn on Me, ' 'Girl Sailor' and 'Australia' are the lilting, exhilarating, rollicking, rock-solid pop songs we've all come to covet from The Shins.